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Outer Limits

 
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Outer Limits is a Kompakt based plug-in Virtual Sound Module featuring a 4 GB core library of more than five hundred unique soundscapes by Ian Boddy.

Outer Limits is Ian Boddy's follow-up to Morphology but this time he has delved deeper and darker than ever before. This instrument is capable of shimmering pads, to mysterious drones, crystalline digital manipulations to dark distorted atmospheres, menacing mechanisms, evocative resonances, surreal sound effects, complex cascades, formant sheens, dark disturbing horror, analogue waves, amazing space textures, strange vocal synthesis and of course, sounds from the Outer Limits of space and time.

Categories include: Ambient Loops, Analogue Waves, Chamber of Horrors, Click & Glitch, Deep Space, Dense Soundscapes, Digital Drones, Digital Manipulations, Distorted Views, Heavy Drones, Machine Dreams, Minimalism, One Shot Synth FX, Outer Limits, Surreal to Real, Transcendental, Twisted Pads, Vintage Synth Atmos, Vocal Transformations and White Noise Atmospheres.

Features:

* Over 4 GB of core library and more than five hundred unique soundscapes of dreams and nightmares from shimmering pads to mysterious drones, crystalline digital manipulations to dark distorted atmospheres, menacing mechanisms, evocative resonances, surreal sound effects, complex cascades, formant sheens, dark disturbing horror, analogue waves, amazing space textures, strange vocal synthesis and much more...
* All original samples, recorded at 24 Bit sample resolution for hi-fidelity.
* Easy and intuitive user interface (a version of Native Instruments' Kompakt sampler).
* Powerful filter offers six types, including low-pass, high-pass, and band-pass.
* Three AHDSR envelopes and four LFOs.
* Integrated effects: chorus, reverb, and delay.
* Total Recall (complete MIDI automation and control).
* Sound Library can also be loaded into other Native Instruments samplers including Kontakt version 1.5 for even greater flexibility and more options for working with the material.

RSS FeedAll KVR Audio news items relating to Outer Limits.
Zero-G announces Download Shop Sale (up to 60% Off) 23rd October 2009
Zero-G releases Outer Limits 8th December 2005
Zero-G announces Outer Limits 16th November 2005
User Reviews by KVR Members for Outer Limits.

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By mdg
On 7th February 2006
Version: first

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Outer Limits has a huge library and thats the best part of the program. The basic interface provided is limited but allows some creativity. The user license is restrictive and thats not so good, be careful when you use this program. The samples may not be imported into any sampler you wish... This is an instrument with a sample library included or tied into the intrument.

The sounds range from dark and moody, even spooky I suppose- to bright and twinkling ones. I intend to use the sounds as part of an overall mix, not that the sounds are unfit for soloing but due to the before mentioned user agreement.

Outer limits has had a few loading errors when I use it in Cubase and required repairing or reloading. This is a newer program so I expect a few bugs. The program is sold as being eerie and mysterious...evil maybe. I find that the sounds have exellent aplications for many sound styles and not all that 'dark' but rather are intense and sonically odd. If you are looking to flesh out a soundscape these sounds may well fit your needs, if you intend to use a patch for a lenghty solo, contact the seller and pay the fee as it is not a 'stand alone' product. The sound banks are not bread and butter sounds like trumpets and flutes but are odd backgrounds, drones and quirky bleeps and splashes floating across a soundstage. Just insure that the soundstage has a few other sounds on it to avoid legal issues. Outer Limits should be thought of as being a spice in a mix not the meat. The basic included interface is useful but limited. The graphics are not very spectacular but basic. This VSTi uses a lot of HD space but streams and thats good, you will need a large RAM and fast computer to run this program that loads from DVD drives only.
I give the sound designer 5 thumbs up but the limited legal use and graphic interface restrict the programs usefulness. If you need to add to a mix this might save you several hours of programming dozens of softsynths and hardware based synthesizers (as well as storing and maintaining them) then mixing them, just for a touch of strangeness.
The cost is reasonable and the trend of sound developers moving towards making REALLY new sounds is also a plus. This is for making space music, effects or ambient, not dance music or top 40 styles.
(edited after using for several months)
I still use it but it has become less useful as I find it hard to set the sounds into many mixes. I think I grew tired of the dark elements over time but if you keep the sound mixed down a bit it adds spookiness without dominating. I have decided that the limited interface and choices as well as the lack of more complex modulation and filters really keep this program from being better. Run it through some modulating delays and it is much more interesting! I wish it had more patches and that there was some updates but it is what it is, the change in ownership of the company probably didn't help much.

I do own hardware and soft synths and I notice that all softsynths tend to get a bit stale and I usually find what patches I like and work with those. Mixing Outer limits with spacey synth washes and re-sampling is the ticket here. Cut a nice wav section and push that through Absynth if you want to mutate the sound beyond recognition, use extreme EQ and resample....rinse and repeat. I would only buy this if you already have pretty much all the FM, subtractive and additive stuff covered and REALLY need that extra weirdness. When people hear Outer Limits in my small studio I usually get a funny look so I tend to use it when no one is around. Was that a noise in my closet? No, just an echo. Ian Boddy , you are one strange sound designer!

The sound quality still seems really great and the sonic/psychological effects of 'Outer limits' still makes me have goose bumps. Listening to Boddy's songs on emusic.com has made me more aware of the dark side of the force. This program is another example of using a small yet powerful sample of his analog arsenal as a building block for my own work. I have noticed I am beginning to look at overall sound design a bit differently and what price is that worth?
I am happier now with the program than I was when I first purchased it. But then again, I enjoy barbeque potato chips and peanut butter and grape jam sandwiches so don't say I didn't warn you!
Last edited by mdg on 23rd December 2006 Report
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Mac OS X
Audio Unit
ReWire
Digital Performer
Digital Performer lets you play, record, edit, arrange, mix, process and master MIDI and a... [read more]
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Windows
Mac OS X
TC Electronic ceases development of PowerCore range and announces cross-grade option to Universal Audio UAD-2 Powered Plug-Ins platformWindows
Mac OS X
Linux
Loomer releases Manifold 1.5.0 and Resound 1.5.0 updatesWindows
Mac OS X
Sonnox announces "Fraunhofer Pro-Codec" plug-inMac OS X
VescoFx updates Free Queue to include OSX compatibilityWindows
Linux
Michael Ourednik updates Argotlunar to v2.0.2Windows
Mac OS X
Intermorphic updates Noatikl to v1.7.1.3 and Liptikl to v1.1.1.3Windows
vladg/sound releases "Molot" VST Compressor v0.2.112Windows
Mac OS X
Audio Damage releases Phosphor - Additive SynthAntares Audio Technologies partners with Tascam to create the Tascam TA-1VP Vocal ProcessorMac OS X
Companion Engineering & Design updates Intuem to v4.0.6u
Windows
Mac OS X
VST
Audio Unit
RND Portico Plug-ins
Particularly known for designing all-analog signal processing equipment, Rupert Neve has been looking for the right technology to port his legendary d...Windows
Mac OS X
VST
Audio Unit
RTAS
Stutter Edit
Stutter Edit is the first collaboration between iZotope and composer and electronic musician Brian Transeau (BT). Stutter Edit's features revolve aro...Windows
Mac OS X
VST
Audio Unit
RTAS
Sonnox Fraunhofer Pro-Codec
The Sonnox Fraunhofer Pro-Codec plug-in makes it possible to precisely audition codecs in real time. This breaks away from the current time-consuming ...Windows
VST
Molot
Molot is a compressor plug-in with a GUI inspired by an old Soviet military device. Features: Aggressive hammering sound. Suits for rock drums and b...Windows
Mac OS X
VST
Audio Unit
Phosphor
Phosphor is a VSTi/AU instrument modeled on the alphaSyntauri, a vintage digital additive synth. The original alphaSyntauri required an Apple //e to o...Windows
Mac OS X
VST
Audio Unit
RTAS
Torpedo PI-FREE
Torpedo PI-FREE is a channel strip plug-in based on Two Notes' flagship model, Torpedo PI-101, but only features 1 model of power amp simulation (EL34...Visit This News Section Search the Database
Renoise
Reviewed by Radek
16th JanuaryProphet V
Reviewed by codevyper
11th JanuaryJupiter-8V
Reviewed by codevyper
11th JanuaryLogic Pro (and Express)
Reviewed by groovizm
10th JanuaryOzone
Reviewed by TOK
8th JanuaryMorphoX
Reviewed by esl
27th DecemberAdrenaLinn Sync
Reviewed by kevvvvv
27th DecemberCronoX
Reviewed by groovizm
27th DecemberNumerology
Reviewed by botkiller
24th DecemberElectri6ity
Reviewed by Kosh42EFG
22nd DecemberRead More
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Latest Posts (Customize) RSS
3or4 things I find missing in MANY, many VSTis.
in Instruments by AdmiralQuality @ 20:00= NEW YEAR MIXES = Drumity = ANALOG'n'CHILLY =
in Music Cafe by bailees7irish @ 19:58Xils-Lab PolyKb II : Is the future of analog already there ? (-! 2 Soundbanks Released !- :)
in Instruments by casiosk1 @ 19:57Does this "effect" exist? (Accurate A/Bing)
in Effects by james0tucson @ 19:57recabinet 3: upgrade pricing
in Effects by blueman @ 19:51software companys responsibility
in Instruments by kbaccki @ 19:50I think I finally hate amp sims!
in Effects by trimph1 @ 19:42Moving from Pc to Mac should i do it ?
in Computer Setup and Sy by GeorgeZ @ 19:30PreSonus Studio One - Zynewave Podium
in Hosts (Sequencers, DA by lockheart @ 19:30Maschine v1.6
in Instruments by randyandyvandaman @ 19:28Modulate and Cutoff Automation? How is this sound is created?
in Sound Design by allcentury @ 19:27q capture masserati plugins
in Effects by A.M. Gold @ 19:23Is it ok to take someone elses' artist name?
in Everything Else (Musi by Hink @ 19:23Audio Damage Phosphor Released
in Instruments by Integratron @ 19:17Cubase CC data in MIDI part --> VSTi automation parameter?
in Hosts (Sequencers, DA by TabSel @ 19:15
ListenAnatolia.mp3
By liqih
19th Jan 2011 Listen948 boscilator 25.mp3
By zerbaski
19th Jan 2011 Listendayscreating.mp3
By funky lime
19th Jan 2011 Listen01-Walking in Circles-Walking in Circles 2010.mp3
By Alphadeus
19th Jan 2011 ListenTS-435806.mp3
By alex312
19th Jan 2011 Listenhand in hand.mp3
By Karten
19th Jan 2011 ListenQuirq Vale-Fanfare 17-01-11.mp3
By Lost_Highway
19th Jan 2011 ListenQuirq Vale-Fanfare 17-01-11.ogg
By Lost_Highway
19th Jan 2011 ListenVolve.mp3
By terriandralph
18th Jan 2011 ListenA December Tune.mp3
By folderol
16th Jan 2011 Visit The Music TrackerVisit The Music Cafe
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